There are times when you’ll have correct exposure in only parts of your image. Others will be lighter than you want them to be.
This is where we use neutral density filters, or the graduated version (GND filters), to bring out detail in those areas.
Read on for all the information you need on how and when to use them and why you need them in your camera bag as a landscape photographer.
What Is a Neutral Density Filter
An ND or Neutral Density filter stops light from entering the lens and hitting the sensor. These fit on the front of the camera lens of your DSLR (whether it’s a Nikon, Canon, etc.) with the help of an adapter.
Or you can buy these neutral density filters that clip on the inside of your digital camera body. The adapter that holds your ND filters needs a ring to fit onto your lens.
Most manufacturers provide these rings, ranging from 49 mm to 82 mm. The neutral density filter looks like a square of dark glass.
You can buy graduated ND filters, but these are for sunsets, and bring down the light from only part of the scene.
Many companies sell packages. You can buy adapters and rings, and a whole range of ND filters and graduated filters together. Your parents might even have some Cokins or Hoya lying around.
The ones I use are from Rangers. They provide 4 ND filters and 4 Graduated Filters (2, 4, 8, 16), 9 Filter Adaptor Rings (49-82mm), ABS adapter. And they all come in a nice pouch.
ND filters are quantified by their optical density. Or a little simpler, their f/stop reduction. An ND16 filter will lower your f/stop by 4 stops. Instead, you can have slower shutter speed or longer exposure time, which is more beneficial for long exposures.
What Is a Graduated Neutral Density Filter
A graduated neutral density filter is a neutral density filter with a gradient. These start at their darkest on one of the lengths.
And then they will get lighter until the middle of the glass (this process is gradual, hence the name).
The rest of the glass has no density filter, only the middle to top. They are designed to make one area of your image darker. But keep the rest of your scene untouched.
These will affect the sky, blocking out some of the light entering and leaving your landscape as you see it.
The gradual change helps to keep a nice transition between the dark and light areas. You won’t have a strong, noticeable line.
They are finicky to use, especially compared to the neutral density filter. You need to find that sweet spot. If the filter is placed too low, the graduated ND filter will affect your landscape.
Too high, and you won’t cut out enough of the sky. This will create a noticeable gap between where the sky meets the landscape.
The holder of the graduated neutral density filter helps you move the glass to the perfect angle. As you can turn it, it offers you a 360° angle of movement.
This is for cases where the landscapes’ horizon isn’t exactly 180° or flat.
The graduated neutral density filters I will be using are the LEE Soft Graduated Filter set. These give me three filters; a 0.3, 0.6 and a 0.9.
These will take out one, two and three stops of light.
We are using the LEE filters as they are made from glass, so the filter’s colour won’t affect the image. This was a problem I found with the Rangers kit, which you can read about here.
Why Would You Use One
You may find that during a very light day, parts of your image will be exposed. But others will turn out overexposed. This is particularly common when photographing land and the sky.
A neutral density filter keeps the scene very natural. Unlike HDR images, it allows you to edit with limited post-processing knowledge. For more information on how to create HDR images, read our article here.
Both areas deal with the natural light from the sun in different strengths and ways. The land soaks it up and sends it our way, as reflected light. The sky acts like a lightbox, becoming many stops lighter than the other areas.
You can see this when you try to photograph buildings and sky together. Or when photographing an interior, the light through the windows becomes too strong.
Our intention with the Graduated Neutral Density filter is to eliminate some of the light from the sky. This will make it a closer exposure to the land.
Another way to do this is to photograph a High Dynamic Range (HDR) image.
This is where many exposures of different exposure values darken and lighten different areas of the image. And when stitched together, they balance the highlights and the shadows with the mid tones.
This is a great option for creating very high-resolution images. But they take longer and you need to know how to post-process them.
Firstly, I wanted to find a location with rolling hills and a beautiful landscape. I was in Venelle in Aix-en-Provence, in the south of France, recently and that’s the area I had to work with.
The trees in the foreground stopped the perfect landscape image, but that was the best I could find in the local area.
For me, the problem was trying to find that sweet spot, where I captured all of the skies without darkening the landscape. This takes a little time to get used to, but a quick tip I found. While the graduation of the filter ends in the middle, I needed to have it only in the top 1/3 of the image.
If I sat the ND filter in the holder, making the bottom of the glass flush with the bottom of the holder, that was the best place to make sure the ND filter affects only the top 1/3.
Using a neutral density filter is a simple enough way to capture a great landscape scene without too much fuss. You also don’t need a huge amount of post-editing know how.
Grab some filters, head out and try it. It will definitely help.
A note from Josh, ExpertPhotography's Photographer-In-Chief:
Thank you for reading...
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