Architecture photography is a lot slower than other fields, such as photojournalism or sports photography. You spend a considerably amount of time mulling over a scene or environment.
This means your camera doesn’t need to focus on speed, or continuous shooting modes, for example.
You need to focus on quality. By using a low ISO, capturing your images in raw and fully utilising editing tools, you are halfway to capturing stunning images.
You will find a few lenses in your camera gear will allow you to photograph a multitude of different structures and scenarios.
Great architecture images have been photographed using many different cameras.
Large format was the standard for architecture photography as it provided high-quality images. They also helped keep a strong perspective control.
Nowadays, using your iPhone produces powerful architecture and interior photography.
The quality of DSLRs and mirrorless systems allow you to capture amazing images. You don’t even need a top-of-the-range camera.
One thing you do need to consider is being able to change lenses. This is important for the many different scenes you will come across.
Lenses in architectural photography allow you to capture structures in dynamic ways. Some, such as prime lenses will give you very sharp images, and less distortion.
Yet, to photograph a closer scene means you will physically need to move closer to the subject. Zoom lenses allow you to capture a wider or closer frame without moving.
However, their sharpness can diminish at different focal lengths. Tilt-and-shift lenses are something you need to consider as they help to eliminate perspective distortion. They are very expensive but give you great results.
A tripod is almost a necessary item in architecture photography. This keeps your camera still, keeps it in the same place for image fusing and gives your arms a break.
You will even find that your images will benefit from long exposures, where a tripod is compulsory. A tripod offers you stability, and can even add to the height of the perspective.
They can be used to get closer to the ground and some can be used alongside other accessories for seamless panorama photographs.
If you wish to dabble with long exposures, a graduated ND filter is a great item to have. This filter cuts out the amount of light hitting the sensor. This is great when you have exhausted your exposure triangle options.
A cable release or off-camera shutter release system is a great way to keep the mirror shake to a minimum. It also means you don’t have to hold the button yourself for extended periods of time.
One item that is truly beneficial is the spirit/bubble level. In architecture photography, straight lines are very important.
This little gadget helps to keep your camera level on three different levels at the same time.
How To Capture Architecture Photography
Architecture photography allows you to take a little more time photographing your subject. Your structure isn’t going to move anytime soon.
Yet, this extra time will be useful for scouting the best camera placement.
This field is a little more finicky when it comes to composition and perspective. The lines need to be straight, your frame needs to be clean and powerful. The keyword here is quality.
There are many different subjects you can photograph. All imploring you to use your creativity. Read on for tips and techniques to photograph all subjects, at all times.
Architecture is great, as these structures look very different in the day as they do in the night. Their meaning and mood changes.
The same goes for weather conditions, where a winter scene of the Eiffel Tower will differ greatly to the same image shot in spring. Use this to your advantage and show the structure off in different scenarios.
Find your structure, and visit it many times. This way, you get to see how the different levels and angles of light affect it. You will be surprised at how many different ways you can photograph the same building.
Long exposures of buildings and architecture subjects can have very powerful effects. You can use this technique to enhance the details in the sky and clouds, darkening the mood.
This is also a great way to drop distracting subjects. During a long exposure, all moving subjects, such as people and cars become blurred.
This lack of definition allows more attention to the structure. If water is present in the form of a river, lake or sea, a long exposure can cut out the texture. This effect creates some interesting, abstract images.
This style adds interest and atmosphere to your architecture.
People make architecture, so they should be included. From time to time. By including a few people in your image, you give the structure a sense of scale. They could even interact with the object, giving it meaning.
The viewers will look and focus on the person or people in the image. This can be used to pinpoint details and functions that might have been missed otherwise.
A ghost city can make the scene look a little apocalyptic. By including people, you make it more accessible to the viewers, and more alive. You will need the patience to get the right look from their body language.
A cityscape is a photograph where the city is laid out in front of you. This incorporates a structure amongst many other buildings, bridges and skyscrapers. Water can also be involved, as this gives a natural texture.
Try photographing the city just after the sun sets. This twilight or blue hour can add a beautiful definition to the sky, just as the lights in the city pop on. Get up high, and shoot the whole skyline in this manner.
Intersections are also great places to photograph from a high perspective. Looking down makes everything smaller in comparison to the structure. This will emphasise its size and importance.
Unless you have a drone, use of a helicopter or access to a balcony downtown, most of your images are photographed from the bottom up. This means looking at huge buildings from the base, trying to find the tip.
To give yourself enough space, find a corner and head on over to the opposite side of the street. This will give you a vantage point, fitting in as much of the building as possible.
Set your camera to manual focus and use a small aperture. F/16 will ensure the building in focus and will minimise the light hitting the sensor. It will also allow you to use a slow shutter speed, for dramatic skies.
If you happen to be in a place where you can find skyscrapers and tower blocks, they are a great subject. Their immense size can be astounding to see, especially if you are not used to seeing them.
Here, filling the frame with your subject is an interesting compositional rule. This makes the building seem unimaginably big, as you can’t see where it starts or ends.
Focusing on a few details within a smaller frame can set your images apart. They allow the viewer to get closer to a subject. And this creates interest.
Leung Cho Pan
Photographing architecture at night can help you to create something spectacular. Most of us see the buildings in the day, hiding away during the nighttime hours.
Seeing the same buildings at a different time creates interest. This is partly due to how the structure interacts to the night lighting rather than sunlight.
Here, long exposures can show you trails left by cars, adding a captivating detail. You will need to change the settings on your camera for these low light conditions. Read here for tips and techniques.
Photographing has never been easier. Especially since you already have a pretty darn good camera in your pocket. Your iPhone can take great photographs, and you can even edit them on the phone itself.
What you need to look out for is interesting architecture. Look for shape, form or texture to photograph. Lines and curves work well, especially when repeated. And repeated.
Every building has something unique about it. You just have to find it. Use different perspectives, look at the simplest form of the structure and try and capture it. Read our extensive tip list here.
Architecture photography has a very big place in fine art photography. It is an area where you can take your time to plan and experiment, as they are static structures.
The perspective you choose can give precedent to areas of the architectural subject. Here, you create a feeling and mood of the setting.
The building or structure needs to first evoke an emotion in you. How you interpret the subject through your initial impression is important.
Now that you have a good basis of architecture photography, it is time to expand. When you find an interesting subject, come back to it. Look at the structure at different times of the day, in different seasons.
See how it changes under alternating weather conditions. Look for unique angles to shoot it from. Don’t go for the plain straightforward eye level snapshot.
Explore the details, and get closer to the building if need be. Researching the building will always help. You might find that there is history behind even the most boring of structures.
This could also give you inspiration on how to tackle the structure.
Real estate or interior photography has the potential to be a profitable area of architectural photography.
Websites showing rentable accommodation, such as Airbnb, all need images. These are for marketing and advertising purposes.
We also need images to show us what we could buy, in the area of real estate.
Hotels, hostels and every kind of accommodation type all need images. This is so they can keep up with their competitiveness. Read our article here on how to make it profitable for you.
When it comes to architecture photography, the composition is very important. You will find a slew of leading lines all over the city and the structures you are photographing.
These lines lead you to details or the most important areas of interest in the photograph. These specific details that make the structure what it is should not be overlooked.
By photographing these you show the structure in a different and interesting light. Symmetry is a very common rule of composition within architecture photography. It creates a powerful statement about the subject in your frame.
These advanced tips are here to help you look past all the basic ideas of photography. The camera gear, equipment and accessories are items that help you take better photographs.
These tips are there to help you gain deeper knowledge. Look for a possible message, experience or emotion you want to portray in your work.
This article helps where and when to use things such as micro-contrast. It also helps you use and place the blackest areas of the photograph in relation to the mid-tone grey areas.
Your photographs will benefit from reading these tips.
You’ve heard it in so many different places: location, location, location. There is a reason it is so ingrained in us photographers. It actually matters where you set yourself up to photograph.
Some photographers don’t share their list of locations when it comes to their landscapes, others share geotags through platforms like Flickr and Shot Hot Spot. Other locations can be found with a little research.
There are even apps that help you visualise what the location will look like at a particular time of day. Judging sunlight and moon positions, these can give you all the information you need to find that great scene.
This is a web-app that can help you visualise how your shot will be in a particular location. You can see how light falls on your spot, both day and night, by the sun and moon location calculator.
For example, if you want to photograph the blue boathouse in Perth, WA, you can see where and when the sun will rise on a specific day. You can also check it with sunset, moonrise, etc.
The Photographer’s Ephemeris also includes an iOS and Android version.
Here is a list of buildings and structures around the world for your inspiration. There are many different styles of building and the way they have been photographed.
Post-Processing Architecture Photography
Post-processing architecture can help to bring out details of the structure. This points viewers towards the most interesting points. You can simply modify the exposure values and pull out details from the shadows.
You can use software such as Adobe Lightroom and Photoshop to convert images to black and white. And you can also use these software packages to create something abstract and other-worldly.
Distortion can have a big effect in any field of photography. The assembly of the lenses and how they relate to the sensor creates unnatural warping.
Almost every lens will have some sort of distortion.
Wide angle lenses can suffer from barrel distortion. Zoom lenses endure pincushion distortion. Telephoto lenses that move from a wide angle to a zoom focal length suffer from both at their extremes.
The other form of distortion comes from what is called Parallax Error. This is down to your perspective and makes the images closer to the lens much bigger than the background.
Fixing lens distortion in the past was very difficult and expensive. High-end lenses or large format cameras were the only way to minimalise or cut down on this warping.
Lightroom and other programs such as Photomechanic have lens profiles built in. These correct the lenses’ distortion for you. Tweaking the vignetting and the amount of distortion comes at a click of a button.
The transform tool in Lightroom is a very adaptive tool. It can help with perspective distortion easily. It uses a system of finding the lines you want to keep straight and changes the perspective of the image.
People make architecture. Without people, there is no architecture and vise versa. Yet, there will be some times where you want to diminish the importance of the crowd.
By taking away their importance, the public becomes a secondary focus. This keeps the building in the limelight. This is also a handy way to remove traffic, and show off the structure.
The idea is that by taking many images of a scene, you are then able to layer them in Photoshop and erase what you don’t want. This reveals the layer underneath, giving you a clean image.
Luminosity masks are a feature in Photoshop that helps you isolate areas. These areas of a high light intensity, captured in the photograph’s pixels.
With these selections, you can select areas of the photograph and only work on specific tones. This saves the whole image from editing.
These are great to help boost the focus and look of a specific object in your frame. This article gives you a great rundown, from creating the masks to the finished image.
HDR (high dynamic range) or image fusion is a process of stacking 3/5/7 images together to create a correct exposure.
This is done by photographing a scene with a base exposure, and then many images of different over and underexposed images. You might find that a series of 5 images will have exposure values of 4/-2/0/+2/+4.
When stacked together in Photoshop, the exposure values are taken from all three images. Overexposed images pull detail from shadows, the underexposed images work on the highlights.
This is a great way to capture a building and the bright sky with a level exposure.
Processing images on your mobile has its benefits. If you photograph with your smartphone, it helps to keep everything in the same place. It is also easy to share from the same device. You can even process the images in the same location as you shot the image.
This is great because if the image doesn’t work so well in post-processing, you have the possibility to re-shoot. There are many apps you can use for your images, and photographers tend to use more than one. Different development companies offer different things.
There are apps that replicate old film styles from the 80s that no longer exist. Others that can turn your images into double exposures. This article gives you smart choices for your smartphone, to take your street photography to the next level.
Lightroom is a great tool for any photographer. This program has two main functions. It acts as a fast and accessible library for all your architecture photography.
Your images can be put into folders, and attached keywords can help you organise them. The other area is the editing of your images.
It has a no-nonsense platform. Here you can adjust the exposure, or even correct your lens’ distortion.
A program such as Lightroom is none destructive, so you can always revert to your captured image. You can even export to Photoshop if you need more complicated post-processing.
Presets are a great way to process many images quickly. This saves you time to focus on other post-processing work.
These presets are pre-designed adjustments that work when imported into Lightroom. These are then used at the click of a button. They are also very tweakable for better adjustments, more specific to your images.
This a great advantage that allows you to apply the same white balance or exposure to hundreds of images in one go.
You might be photographing the street, and then turn your camera to point it at a building that seems interesting. As soon as you do, a security guard comes to tell you that you need to have permission.
Photographers in the past have been harassed and searched for photographing things others tell them they shouldn’t. This is where knowing your rights can really help you as a photographer.
These laws are to help you be creative and as free as possible, but you need to know them. This will stop you from taking unnecessary risks, cut down on wasting time and get stunning images you can use. Some photographers even resort to carrying around parts of the law with them in case of being stopped.
Wherever you might be, there are rights and laws protecting photographers and protecting the people in public areas. This article links to pages looking at the rights and laws in different countries, from Australia to the USA.
The freedom of panorama is the legal right to publish pictures of artworks which are in public space. This is an exception to copyright law and differs from country to country.
These artworks encompass sculptures, buildings, or monuments in public space, and under copyright. You are still able to photograph these without a problem.
Some countries are very strict when it comes to their artworks. A few have made it illegal to share these images on social media.
For example, you can take as many photographs of the Eiffel tower in the daytime with no problem. But at night time, it is illegal. You can’t share images of the tower’s illumination as it is classed as a separate installation.
Educational platforms such as Wikipedia will have images deleted if the law doesn’t change. This could affect your workflow and creativity. Please check before getting embroiled in red tape.
Architectural works are protected by copyright law. This law was officially changed in December 1990 to include the trend of photographers selling stock images online.
This law was not created retroactively, so all buildings created before this change are free to photograph. Unless the building cannot be seen publically. These buildings cannot be photographed for commercial purposes.
Here is a list of all architectural sites in the world. This will give you information on every building in case you have any qualms about the structures you photograph.
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