One of the most asked questions in regards to photography is ‘What is the purpose of different camera lenses? Our answer is going to look quickly at the different types of lenses available, and when to use them.
Primarily, our answer will specifically look at when you would use a wide-angle lens.
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Types of Lenses
Lenses are one of two components you need to photograph a scene. First, you need a way to record and capture the light from the scene (photographic film, digital sensor) which is held in the camera body.
Second, you need a way to let the reflected light into the camera body to be recorded. Here, the lenses are king.
There are many different types of lenses. Each one has a range of capabilities that make it perfect for a photographic field. There are no rules, so you can of course use lenses for a photographic theme for which it was not intended.
However, it is important to note that not all lenses can fit all camera bodies. A Sigma lens might need an extender to fit in a Sony camera body.
Note: All of the following numbers are true on a full-frame camera. A crop sensor, such as the APS-C system will magnify all lenses used by x1.6. For example, a 35mm lens used on an APS-C system will become a (35 x 1.6 = 56mm) 50mm lens.
A fisheye lens has the widest focal length of all lenses at between 4.5mm and 14mm. The angle of view is 180°, allowing you to see half of a full rotation.
They suffer from heavy lens distortion, as they cram in as much information into the sensor as possible. You can use ultrawide-angle lenses for skyscapes and wide panoramas.
The Rokinon HD8M-C 8mm f/3.5 HD is a great example.
Wide Angle Lenses
A wide-angle lens is similar to the fisheye, just not as wide. The fall between 14mm and 35mm. Their angle of view typically runs from 64° to 84°. The 24mm lens also lands in this category.
These lenses also suffer from distortion. Their perspective is one of the largest and generally used for interiors and architecture.
The Canon EF 28mm f/1.8 USM is a good example.
There are also wide-angle zoom lenses, which some people might not realize. The Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens is a perfect choice. For Nikon users, the Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Lens does a great job.
A standard lens or a normal lens is a lens that is closest to the human eye in terms of angle of view. It is a 50mm lens with its angle of view of around 58°.
The Canon EF 50mm f/1.8 STM is a great example.
A telephoto lens is used to photograph subjects from far away. They go from telephoto (70mm – 300mm and 34° – 8°) and super-telephoto (300mm – 600mm and 8° – 4°).
The telephoto or zoom lenses are great for portraits, the super is perfect for action photography and astrophotography.
The Canon EF 70-300mm f/4-5.6L IS USM is a perfect example.
All lenses come in either a prime version or a zoom version. A prime lens has a fixed short focal length, meaning you have to get closer to a subject by moving physically.
They are generally lighter, faster, cheaper and produce better image quality. The Canon EF 50mm f/1.8 STM is a great example.
A zoom lens has a variable focal length or zoom range, so you can move from a wide-angle, through a standard focal length to telephoto in one lens.
They are very versatile, allowing you to keep your gear to a minimum. They are heavier and more expensive, due to extra mechanisms and glass inside the lens.
Their quality is surpassed by prime lenses, as these are very much a jack of all trades, master of none. The Canon EF 24-70mm f/2.8L II USM is a great example.
What Is a Wide Angle Lens
Looking at the information above a wide-angle lens covers a focal length from 4.5mm, at its most extreme, to 35mm at its least. Their angle of view reaches 64° all the way to 180°, allowing you to see as much of the scene as possible.
Any lens that has a wider field of view than what the human eye sees is considered a wide-angle lens.
These lenses come with a substantial amount of distortion, both lens distortion, and perspective distortion. The lens distortion that falls into the wide-angle usage is barrel distortion.
This is more apparent in architectural images, where the lines bow outward, away from the center of the image.
This is due to the edges of the lens are further away from the lens plane than the sensor, where the wide field of view emphasizes the difference.
You can correct these during the editing stage, in a program such as Adobe Lightroom.
When to Use A Wide Angle Lens
A fisheye lens captures even more of the scene but is mainly used for artistic and creative purposes of landscape photography. They are wide enough to capture the above-and-below-the-water scene that I am sure we have all seen.
I used my wide lens for street photography, as it captures a wide angle of view of any given scene. If I need to get closer to a subject, I move there myself.
As our Hungarian photographer taught us, “If your images aren’t good enough, you’re not close enough” (Capa). This can be a pain with a wide-angle lens, as you need to get in really close.
Crop Sensor Camera Systems
There is another case where you might not want to use a wide-angle lens for Nikon or Canon DSLRs. The Nikon APS-C crop camera sensor means that the focal length, among other things, is affected.
After all, the Nikon AF-S FX NIKKOR 16-35mm f/4G is only 16-35mm on a full-frame system. On a crop sensor camera, it comes to 24-52.5mm, making it more of a standard lens.
You need to go ultra-wide so that the corp factor pushes it to a wide-angle lens.
Why Not Use a Different Lens?
You could use a multitude of lenses to try to replicate the wide-angle of view from a wide-angle.
If you were to use a standard 50mm lens, for example, you would have to photograph many times and stitch them together. Six to eight images may be enough to cover the same angle of view.
Here, you would need time, energy, patience and an editing program such as Adobe Photoshop or Lightroom.
The only reason why you would own a wide-angle lens is that you are photographing wide spaces. A telephoto lens is great for those far away shots, but wouldn’t replicate the view the same as a wide-angle lens.
The perspective would be different, as wide-angle lenses and ultra-wide-angle lens tend to distort the foreground and subject.
A telephoto lens tends to squash the background and subject closer together, giving a different perspective.