Aperture is one of the three factors that create an exposure. Understanding the aperture settings makes getting to grips with taking an evenly exposed photo a lot easier.
Using different aperture also opens up more creative avenues through unique effects. This post will teach you what they are and how to use them to your advantage.
Step 5 – What Is Aperture?
The best way to understand the aperture definition is to think of it as the pupil of an eye. The wider it gets, the more light it lets in.
Together, the aperture settings, shutter speed, and ISO produce an exposure. The diameter of the aperture size changes, allowing more or less light onto the sensor. This depends on the situation and the scene being photographed.
Creative uses of different aperture sizes and their consequences are tackled in Step 4. Put simply, when talking about light and exposure, wider aperture settings allow more light and narrower ones allow less.
Aperture can be confusing. Some people will say a wide or narrow aperture, but others might say a large aperture. What is the difference? A wide aperture refers to the wide opening in the lens, where f/1.2-f/2.4 is being discussed.
A large aperture refers to the number of f/stop, where f/32 or f/22 is being discussed. A low aperture and wide aperture are the same things – one talks about the size of the number and the other relates to the size of the opening.
Step 4 – How Is Aperture Measured and Changed?
Aperture size is measured using something called the f-stop scale. On your digital camera, you’ll see ‘f/’ followed by a number. This f-number denotes how wide the aperture is. The size affects the exposure and depth of field (also tackled below) of the final image.
What may seem confusing is that the lower the number, the wider the aperture. This means that your camera aperture settings will be wide open at a smaller f-stop number, like f/1.4 (maximum aperture). At higher numbers, like f/16 or f/22, you’ll get a narrow aperture.
Why a low number for a high aperture? The answer is simple and mathematical, but first, you need to know the f-stop scale.
The scale is as follows: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22.
The most important thing to know about these numbers is the following. As the numbers rise, the aperture settings decrease to half its size. Half meaning that it allows 50% less light through the lens.
This is because the numbers come from an equation used to work out the size of the aperture setting from the focal length. You’ll notice on modern-day cameras that there are aperture settings in-between those listed above.
These are 1/3 stops, so between f/2.8 and f/4 for example, you’ll also get f/3.2 and f/3.5. These are just here to increase the control that you have over your settings.
Now things begin to get a little harder. If you get confused, skip to Step 3 as the most important part has been covered.
For example, say you have a 50mm lens with an aperture setting of f/2. To find the width of the aperture, you divide the 50 by the 2, giving you a diameter of 25mm.
Then take the radius, multiply it by itself (radius squared) and multiply that by pi. The whole equation looks something like this: Area = r²*pi.
Here Are a Few Examples:
A 50mm lens at f/2: 50mm/2 = a lens opening 25mm wide. Half of this is 12.5mm and using the equation above (pi * 12.5mm²) we get an area of 490mm².
A 50mm lens at f/2.8: 50mm/2.8 = a lens opening 17.9mm wide. Half of this is 8.95mm and using the equation above (pi * 8.95mm²) we get an area of 251.6mm².
Now, it doesn’t take a genius to work out that half of 490 is less than 251. This is because the numbers used are rounded to the nearest decimal point. The area of f/2.8 will still be exactly half of f/2.
Step 3 – How Does Aperture Affect Exposure?
Before we talk about anything else, let’s look at the exposure triangle.
The change in aperture size correlates with exposure. The larger the aperture size, the more exposed the photo will be. The best way to demonstrate this is by taking a series of photos and keeping everything constant with the exception of the aperture.
All the images in the slideshow below were taken at ISO 200, 1/400 of a second and without a flash. Only the aperture size changes throughout.
This set of photos was taken before the recent purchase of my f/1.4 so the photos are in the following order: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22.
A good way to see the changing size of the aperture is to look at the size of the out of focus white circle at the bottom left of the image. The main creative effect of aperture, however, isn’t exposure, but depth of field.
Step 2 – How Does Aperture Affect Depth of Field?
Now, the depth of field is a big topic. For now, I shall summarize it by saying that it is all about the distance at which the subject will stay in focus in front of and behind the main point of focus.
In terms of how the depth of field is affected by aperture settings, the wider the aperture setting (f/1.4), the shallower the depth of field. The narrower the aperture size (f/22), the deeper the depth of field.
Before I show you a selection of photos taken at different apertures, take a look at the diagram below. If you don’t understand exactly how this works, it doesn’t matter too much.
For now, it’s important for you to know the effects.
Here is an example of a photo taken at f/1.4. With the subject moving away from the lens, it’s easy to see the effect that the shallow DoF has on the photo.
As mentioned, here’s a selection of photos all taken on aperture priority mode. The exposure remains constant and the only changing variable is the aperture.
Step 1 – What Are the Uses of Different Apertures?
The first thing to note is that there are no rules when it comes to choosing an aperture. It depends greatly on whether you are going for artistic effect or to accurately balance the light in a scene.
To best make these decisions, it helps to have a good knowledge of traditional uses for the different aperture listed below.
- f/1.4 – This is great for low light situations. It also gives a shallow DoF. Best used on shallow subjects or for a bokeh effect.
- f/2 – This range has much the same uses, but an f/2 lens can be picked up for a third of the price of an f/1.4 lens.
- f/2.8 – Still good for low light situations, but allows for more definition in facial features due to a deeper DoF. Good zoom lenses usually have this as their widest aperture.
- f/4 – Autofocus can be temperamental. This is the minimum aperture setting you’d want to use for portraits in decent lighting. You risk the face going out of focus with wider apertures.
- f/5.6 – Good for photos of two people but not very good in low light conditions though. Here, use a bounce flash.
- f/8 – This is good for large groups as it will ensure that everyone in the frame remains in focus.
- f/11 – More often than not, here is where your lens will be at its sharpest. Perfect aperture for portraits.
- f/16 – Shooting in the sun requires a small aperture, making this a good ‘go-to’ point for these conditions.
- f/22 – Best for landscapes where noticeable detail in the foreground is required.
As I said before, these are only guidelines. Now that you know exactly how the aperture setting will change a photo, you can experiment yourself and have fun with it!
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