You won’t find a ton of reviews for Lightroom presets or Photoshop actions on this blog. But this is my second Mastin Labs review (read the first one here).
The majority of presets packs, while powerful, tend to be very broad and distracting for new photographers. But Mastin Labs help to serve a very niche audience of photographers, myself included.
I used to shoot on film every week. I’d burn through dozens of rolls of film, and spend hundreds of dollars on development. Why? Because there’s a magic to shooting on film. A texture, a dynamic range, a colour, which I found impossible to reproduce with digital.
But then in January 2015 I started long-term travelling. Film had to take a back seat for two reasons. I don’t have space for extra cameras and film in my bag. And it’s impossible to find a high-quality lab that will produce hi-res scans onto a memory stick in every city I visit.
Not to mention the cost!
I no longer shoot on film. And for the longest time, I craved it. That is until I discovered Mastin Labs. They’re possibly the best film emulation presets for Lightroom.
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What You Need to Know About Lightroom Presets
Lightroom presetscan save you a ton of time when it comes to processing photos. And if you’re not an expert editor, chances are they’ll help you do a much better job than you’ll do on your own.
However, before you start using any presets, there’s a few things you need to know.
You will (rather obviously) need your own copy of Adobe Lightroom. There will also be a minimum version of Lightroom that the presets will work with.
For example, Mastin Labs require Adobe Lightroom Version 4.0 or higher (circa 2012). Some other presets require the latest version of Lightroom, CC (6.0).
Presets are designed to process RAW files. JPEG files are already processed in-camera and will not be accurate after the presets are applied. You have to shoot in RAW.
Most presets will work with any camera brand. Kirk Mastin is such a perfectionist that each set of presets comes with slight adjustments for different camera brands. So although these presets will work with any camera, they’re specifically designed for Nikon, Canon, Fuji, and Sony.
It’s fairly common for retailers of Lightroom presets not to offer refunds, as they can’t be ‘returned’. So if you’re unsure about whether you want the presets, reach out to support and have them process one for you.
Or in the case of Mastin Labs, you can join the huge 20k+ FB community. You can then ask someone in there to process one for you, to help you decide.
Fuji 400 Blue, All Hard
What Are Mastin Labs Presets?
Mastin Labs are Lightroom presets developed by Kirk Mastin. He has meticulously spent hundreds of hours ‘hybrid shooting’ with both film and digital. Then he scanned the developed film using his own Fuji Frontier scanner, and made hundreds of micro adjustments, to make the photos look exactly the same.
Film is timeless and beautifully subtle. It takes a trained eye, a restrained hand and a lot of effort to achieve the same effect in digital.
There seems to be a misconception that these presets are only for photographers who shoot on film or both film and digital. The reality is that they also serve as a fantastic way for digital-only shooters to discover a new format, as well as their favourite films.
Personally, I fell in love with Ilford Pan F, Delta 3200, and Portra 160 — three films I’d never even shot before.
Delta 3200, Highlights Hard
Pros of Mastin Labs Presets
So far, they’re the most accurate film emulation presets I’ve ever used. And they’re not just ‘hey this looks like film’. They’re ‘oh wow, that’s Ilford Pan F’.
They’re incredibly easy to use. I’m personally not trying to exactly match the look of film. I don’t require that level of accuracy, so I can be done in 1-4 clicks.
The community is huge, and inspiring. Over 20,000 users in one Facebook group. And they all share the kinds of photography that will make you drool.
I can find a preset to process almost every photo I take (the only real exception is astro), regardless of lighting.
They work on Adobe Camera Raw as well as Adobe Lightroom (although you’ll find this review focused on LR).
Cons of Mastin Labs Presets
They’re (and you could say justifiably) expensive. One pack retails $99. Although that’s a lot cheaper than film, it’s still expensive for three presets.
They’re camera-specific. You can use these presets with any brand of camera. But they work best if you use Nikon, Canon, Fuji, or Sony.
No refunds. They have a good point as to why they don’t offer refunds, and I know they’re a trustworthy company. But I always feel more comfortable when one is offered.
New packs take a long time to be produced. I’ve been using these three packs for about a year now. No new ones have been released in that time. I’ve had my eye on some Kodak Gold for about 6 months now, but nothing yet!
Mastin Labs Film Packs
Mastin Labs currently offer three different film emulation packs. This gives you plenty of choice to suit your style. Personally, my favourite is Portra, followed by Ilford, and then Fuji. But I know a ton of photographers who live and breathe Fuji.
In this next section, I’m going to show you some examples of the presets in action, when you may want to use them, and who they’re best suited for.
Before we get started through, it’s important to note that the following tone profiles are available:
And these grain & lens optimizations:
Medium Format Grain
Lens Corrections On
Lens Corrections Off
The Ilford pack has more options, but we’ll get to that.
Popular choice for: Wedding and portrait photographers.
This pack comes with three different Fuji films: 160NS, 400H (Neutral) and 400H (Blue). It seems that the reason they’re such popular presets for wedding and portrait photographers is because of the fantastic greens and blues.
Out of the three packs, Fuji has the most beautiful highlight roll-off, and a very complimentary grain (although you’ll find my favourite grain in another pack).
Lets have a look at some of the presets in action…
Fuji 160NS, Shadows Hard
Notice that the preset warms the skin to an almost rosy glow, while bringing out the greens, and darkening the shadows.
Fuji 400H Neutral
Fuji 400H Neutral, Shadow Soft
Even with soft shadows, the shadows are darkened, my skin is warmed, and the blue of my shirt starts to pop.
Fuji 400H Blue
Fuji 400H Blue, Highlights Hard, Shadows Soft, Lens Correction On
Although you’d typically find this preset used on a portrait, it really is very versatile. I love to use it when I see blue in a photo.
These packs are sold separately, and to purchase the Fuji pack: click here.
Popular choice for: Landscapes, Portraits and Fine Art
Portra films are known for their excellent skin tones and natural warmth. While this is a popular choice for portraiture, I love using them on landscapes too.
And that’s part of the beauty of the film emulation packs — you have the choice, but you’re not spoiled by it.
With only nine expertly executed presets, instead of spending 15 minutes scrolling through 100 different presets, the choice can be made in a matter of seconds.
Personally, I scroll over the presets to see what they’ll look like in the preview window, and that speeds up the process.
There is no preset better suited to sunsets than Portra 160. I went horseback riding at sunset with a bunch of friends in Uruguay. I processed every single photo from the evening using this preset. You’ll notice I did nothing to the tone profiles either.
Portra 400, All Soft, 35mm Grain
The Portra 400 works great in bright light, allowing the colours to pop, and the highlights to glow.
Portra 800, All Soft, Lens Correction On, 35mm Grain
When there’s a lot of greens and blues in a scene, this is a popular choice for me. The colours look more vibrant, while maintaining the same tone (whereas the Fuji pack tends to alter it).
These packs are sold separately, and to purchase the Portra pack: click here.
Popular choice for: Fine art, portraits, editorials.
Ilford films create the most stunning black and white films in the industry. They are perfect for making your photography look like art.
Time after time, I will take a photo in stunning colour, and think of the Portra or Fuji preset I’ll use to develop it. And then just out of curiosity I’ll click on an Ilford one to preview it, and I’ll fall in love all over again.
Unlike the packs above, the Ilford presets also come with the following filters and paper types, and these help to contribute to the stunning look of the images:
B&W Print Paper Types:
Ilford Multigrade Warmtone Paper
Ilford Multigrade Cooltone Paper
Neutral Tone Paper
This actually provides you with a ton of versatility, and it may shock you how much of a difference a colour filter will make.
HP5, Highlights Hard, Shadows Soft, Yellow Filter
HP5 is a very honest film, with a deep dynamic range. It allows you to see a true representation of the colour scene, in black and white. When I shoot in black and white, I prefer to have a more dramatic effect, so I tend to only use HP5 on overcast days.
Ilford Pan F
Pan F, Red Filter
Pan F is my religion. It’s shocking how stunning photos can look with the right light and the click of a button. A red filter also really helps to make the sky pop on a partially cloudy day.
Ilford Delta 3200
Delta 3200, All Soft
This is my favourite grain of all three packs, and it works fantastically well for street photography. Of all the photos I’ve shown you in this review, this has had the most dramatic transformation, but it’s probably one of my favourites too. Simply stunning preset.
These packs are sold separately, and to purchase the Ilford pack: click here.
How I Use Mastin Labs Presets (Video)
Kirk has testimonials on the Mastin Labs website, but random comments always seem so anonymous. So I searched through the user group to see what other users had to say, and here’s what I found:
Of course, it would be unrealistic to expect everyone to be 100% happy. There can be a learning curve, and sometimes your style may not completely suit a particular pack. However, other users will usually be happy to provide you with feedback on how you can tweak your images:
This does tend to be the overwhelming response from the community though:
Mastin Labs isn’t the only player in the Lightroom and ACR film emulation preset game. Although they’re my personal choice, you may prefer to explore these alternatives:
VSCO is an online photo community similar to Instagram, although without the ability to comment or like images. You can still follow other users, build a following, and use filters. This is where the film emulation comes in.
Aside from the quality and accuracy of the packs, which you can decide on for yourself, VSCO appeals more to a consumer audience, whereas Mastin Labs is aimed toward professional photographers.
‘Get Totally Rad’ also offer three different packs of film emulation presets, with 13-22 different films in each, including some of the films covered by Mastin Labs.
There’s certainly more choice with Replichome, and they’ve taken a similar approach to Kirk, but for me, they don’t quite come as close to perfection as Kirk has.
Alien Skin offer a bundle called Exposure X, and within that, they have their own Lightroom plugin (note, this is an external app, not a preset) for film emulation.
It may be worth considering, but in my opinion, they take processing too far, and start to dramatically change the look of the original image, rather than making slight adjustments to compliment it.
The result: The most accurate film emulation presets I’ve ever used.
Look, I’m not subtle. I try, but I’m not. I only review products I love, and this is very high on the list. It’s hard for me to be impartial.
I think that Kirk is a perfectionist and the results speak for themselves.
That ‘film look’ that was costing me hundreds of dollars a year, and which I once thought lost, is now just a couple of clicks away.
This is utterly unlike any other pack of presets I’ve tried, where you’re provided with as many presets as possible. Instead, Kirk focuses on providing the most stunning, and accurate presets possible. In this case, less really is more.
If you buy all three packs, you’re provided with nine different films, and although that may not seem like many, it really is all you need. (Kirk will tell you to, but) you don’t even have to follow the rules and use only the Mastin Labs adjustments. But they do make for a great starting point for any photo processing.
Unlike me, these films are subtle, and I truly believe they will compliment your photography, while still letting it stand up for itself.
No, they’re not cheap, but they also haven’t been thrown together in an afternoon behind a computer. They will provide you with that film look you’ve been craving.
This is more than just a preset system. It’s a community, a movement of hybrid photographers, and a way to shoot on film in the 21st century, using the fantastic technological advancements we have at our disposal.
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