If there’s one thing you could do to improve the quality of the colour balance in your photos, what would it be? If you’re still using your camera’s automatic white balance, the answer to that question’s easy. It’s time to try out a white balance lens cap or filter.
Wave goodbye to murky skin tones and tinted whites. By employing a white balance lens cap, you’ll hit the right spot, every time.
Why White Balance Matters
Getting the white balance (WB) right means photos with an accurate colour balance. You’ll avoid blue, orange or green colour casts that make your whites look off.
This means taking account of the colour temperature of your light source. You’ll have to adjust your settings based on the warmth or coolness of white light for the result you want.
How Can You Control the White Balance
There are a variety of ways in which you can affect the WB of your images, both in your camera and in post-processing. These include:
- using your camera’s automatic white balance;
- using predefined settings such as Kelvin, tungsten, fluorescent, daylight or flash;
- creating your own pre-set using a white balance card or grey card;
- using a white balance filter/white balance metre; or
- adjusting the colour balance in post-production.
Automatic white balance might be acceptable for amateur photographers. But it rarely produces professional results. Even the camera’s presets can deliver images with slight colour casts. These distort your colour accuracy.
Lighting conditions vary a lot. Using presets limits you to a few predetermined options. These might not be sensitive to nuances or changes.
You can, of course, create your own preset to suit the precise conditions of the shoot. You can use a white balance card or grey card for this. This will work, but it’s difficult and time-consuming. And if conditions are changing, it’s hardly ideal.
Post processing is another time-consuming way to achieve the correct WB. And there’s only so much photo editing software can do to adjust the WB after you’ve taken the picture.
This is where a white balance filter comes into its own. It acts as a white balance meter by converting your camera into an incident metre. It doesn’t measure the light bouncing off your subject. Instead, it measures the light falling onto your subject.
Your camera calibrates to the light source itself. This removes colour distortions from different temperatures and any green-magenta shift in artificial light.
White balance filters ensure an accurate WB more quickly and easily than alternatives. This saves you valuable time on your shoot and in post-processing.
Types of White Balance Filters
Using a white balance lens cap will give you the most consistent and accurate colour results. So what exactly is a white balance filter?
It’s a semi-translucent lens cover. It serves as a reference point for a neutral colour value. The camera can then determine the exact colour temperature of your light conditions.
This white balance meter works better than using a white balance card or grey card. It’s able to read the light coming into the camera from all angles. It doesn’t only rely on a light reading from a specific area of your image.
ExpoDisc is a popular brand of white balance filter used by professional photographers. It’s laboratory tested and certified. You can also make your own using two UV filters, with a suitable material sandwiched between them.
A DIY version is much cheaper, but the difficulty is in identifying the ideal filler material.
Commercial white balance caps like ExpoDisc usually come in a choice of sizes. You’ll need to get one that’s large enough to cover your largest lens.
How to Use a White Balance Filter
- Attach your white balance lens cap to the front of your lens, as per the manufacturer’s instructions. If your cap is much larger than your lens, hold it in place, flat against the front of the lens.
- Put your camera in manual focus.
- Set your exposure, using the same shutter speed you intend to shoot with, and your flash, if you’ll be shooting with it.
- Aim your camera towards the spot where you’ll be taking the picture or towards the dominant light source. This way it receives the same light that will fall on your subject.
- Set your camera’s custom white balance.
- Remove the white balance cap. You’re ready to shoot.
- Repeat the process whenever your lighting conditions change.
Once you’ve tried it a couple of times, you’ll find it quick and easy, and the time-saving it offers is significant.
When to Use a White Balance Filter
It comes in handy in difficult lighting situations, such as yellowish artificial light. It’s also helpful in rooms with coloured walls or uneven lighting due to windows.
A WB filter also works well for taking pictures with high contrasts between dark and light. And it’s great for glossy and reflective surfaces.
You’ll also want to use one for outdoor situations where large areas of white can take on a blue tint from the sky.
You might be working somewhere where the light is particularly even toned. There might not be any colour reflections from other sources. In this case, you might find that you don’t need a white balance filter.
Tips for Achieving the Perfect White Balance
- Pick the right position to set your white balance using the cap – use it as you would use an incident metre. This means aiming the capped lens towards the brightest light source or area of sky.
- If you’re using an off-camera flash, point your camera at the flash to set the white balance.
- When using an on-camera flash, aim the camera towards the most reflective surface. This can be a pale wall or the ceiling.
- For a warm result, choose a white balance portrait warming filter. ExpoDisc have developed extra levels of custom warming. You can attach these to the white balance cap to create improved skin tones.
It’s possible to achieve a good white balance without the use of a white balance filter. But most portrait photographers find that the results are better and more consistent with one.
You’ll appreciate how quick and easy it is to achieve this by investing in this simple piece of equipment.