Do You Want to Understand Your Frustrating Camera and Take Great Photos Today?

Logo

Watch this free video to...

  • End the frustration by adjusting just a few simple controls on your camera...
  • Make photography much easier, and look more professional too...
  • Remove all the complication & guesswork from using your camera...

Subscribe to our newsletter to watch now...

Do you want to understand your camera and take great photos today?

Yes Please

Commercial photography is a popular word these days. But it’s not all about large teams creating images in a studio for big ad campaigns.

This article will help you understand what commercial photography is and how to get started.

What Is Commercial Photography?

Commercial photography  actually includes a wide range of photography niches.

It’s the creation of photos for commercial purposes. Sound simple?

Let’s break down the common types of commercial photography. And the tips you need to know to make the most of them.

Overhead commercial photography diptych of various food products on a wooden table

Common Types of Commercial Photography Shoots

1. Fashion Photography

This is what most people think of when you say “commercial photographer”.

This type of work can be in studio or outdoors. And it can involve paid models who are modelling a product or experience to be sold.

Each shoot is unique. But knowing how to pose people and give direction is a huge skill that will come in handy for this type of work.

2. Product Photography

This is another large category. You can do it in studio or outdoors. Most often, though, photographers shoot in a studio space so they can have a solid backdrop for online use.

Doing this type of work will require that you get familiar with working in a studio. This means controlling studio lights to get the desired effects on your products.

A commercial photography set up featuring a chicken beside chicken food and books

3. Food Photography

Yes, this category may bring up images of people snapping photos of their meals to later post on Instagram. But it can be a great niche to do as a professional!

It’s a product shoot But you’ll want to work with a food stylist to get the food looking its best for the camera.

This type of work also involves editorial restaurant shots. This means being quick to set up your equipment in a restaurant during a set time frame.

And at the same time creating lighting that makes the food look enticing yet natural.

4. Environmental Portraits

This means taking photos of people in their work environment.

For example, you may go to a plant nursery and take photos of some of the employees tending to the plants. You’re showing how the nursery maintains a high level of care for their products.

You’ll be working on-the-go most of the time. And you may need special permissions for some sites.

A business portrait of a woman giving a massage to a man lying on a table - commercial photography example

5. Headshots

The most common type of commercial photography out there is a headshot.

The photos will promote the person’s products or services.

Headshot sessions are quick and fun. But they require creating a connection with your subject and giving them direction on posing in a limited time frame.

6. Commercial Architectural Photography

This category involves photographing a space for commercial purposes. Whether it’s to showcase the architect’s design or to show the appeal of a retail store.

As with food photography, you’re often working with tight time frames. And you’re shooting around the flow of customers.

With spaces, including a few well-placed people in the shot often helps to give the photo life and context.

A diptych of interesting multi windowed architecture for a commercial photography shoot

How to Make a Commercial Photo Shoot Go Smoothly

Doing commercial work can be very satisfying. But there are some things to keep in mind while in talks with potential clients.

1. Be Extremely Clear on Your Client’s Needs

Full transparent communication is vital in setting up honest expectations. Here are some questions you should ask your clients.

  • Does your client need a set number of photos?
  • Do they have a hard limit on their budget that may affect how much you can do for them?
  • Are they working with a tight deadline?
  • What sort of specific shots do they already have in mind and must get?
  • Do their requests need any special props, locations, wardrobe, consultants, etc?

An environmental portrait of girls walking up steps on the beach - commercial photography tips

2. Double Check Your Quote to Include All Possible Costs

It’s common for the client of a commercial photo shoot to ask for certain extra things. These can be arrangements, items, or assistance. These all add to the final cost.

Be sure to think through your quote. Make it clear to your client that if additional costs arise, the final rate may change.

This is where open communication becomes vital. You’ll avoid any unmet expectations. When creating your initial quote, you may want to include a base rate that assumes certain items.

Then show them line items for possible additional costs. These will depend on their needs or requests.

Things to think about include props, shooting locations and permits needed, studio rental, photo gear rental, shoot assistants needed, outside contractors like hair or make-up artists…

3. Discuss Intended Photo Use and Usage Rights

The use that the photos will get is very different from, say, family portraits.

These photos are not going on someone’s wall or being sent to Grandma in a card. They will be used to generate more income for a company.

This means that your rates will need to be quite different. Be sure to have a discussion with your client about what type of use their photos will get.

This will affect the rate and also the shoot process.

For example, a client might use a headshot for social media profiles and a postcard flyer.

But they might use an environmental portrait to promote a new luxury resort. This can be in national print magazine, online ads, and the resort’s website.

In this case, the headshot client may need lower resolution files. And they will create less profit from the photos.

But the resort will require high-resolution images that they’ll use across the country.

This will help them to generate a significant amount of income.

Once you understand your client’s needs, get specific. This includes with what rights the contract grants them.

Adjust rates depending on these needs.

A product photography diptych of handmade dolls

4. Keep Your Network Active

Having a network of good professional relationships is good for referrals. It also serves as a pool of resources.

Don’t own a studio but need one for a shoot? Maybe you know a commercial photographer who has his own studio and can rent it to you by the day.

Have a fashion shoot coming up and need help? Maybe you know a stylist or a make-up artist that can come in and create the look the client needs.

Even knowing people with connections to different locations throughout your town can be helpful. When a certain spot works as the perfect backdrop for your client’s vision, you can ask them.

Having a healthy and active network is essential. It means that you won’t be calling on strangers from an online listing to help in your shoots.

You’ll be calling on trusted professional colleagues who you know can do a great job.

A commercial photography shoot set up with a dslr camera on tripod in the foreground, blurred background of people around a table

Conclusion

Commercial photography can seem out of reach. That’s only if you think of it as large complicated shoots for international corporations launching ad campaigns.

When taking a closer look, though, there are lots of needs, big and small, that fall under the umbrella of commercial photography.

One way to get started is to begin with small jobs. As you grow more comfortable with the process, you can then build on them and do larger requests.

Whether big or small, though, let your imagination run wild with possibilities for your commercial clients!

A note from Josh, ExpertPhotography's Photographer-In-Chief:

Thank you for reading...

CLICK HERE if you want to capture breathtaking images, without the frustration of a complicated camera.

It's my training video that will walk you how to use your camera's functions in just 10 minutes - for free!

I also offer video courses and ebooks covering the following subjects:

You could be just a few days away from finally understanding how to use your camera to take great photos!

Thanks again for reading our articles!

Natalia Robert

California-based lifestyle photographer and founder of The Grove, I specialize in interiors big and small for unique properties worldwide. With my spunky dog as my co-pilot, I'm always looking for the next adventure! You can find me at www.NataliaRobert.com and www.MeetMeAtTheGrove, and follow my daily adventures on IG (@nataliarobertphoto).

[type='text']
[type='text']
[type='password']
[type='password']
[activeKey]
[activeKey]
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
[index]
[index]
[i]
[i]
[type='text']
[type='text']
[type='password']
[type='password']
[activeKey]
[activeKey]
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
[index]
[index]
[i]
[i]
[type='text']
[type='text']
[type='password']
[type='password']
[activeKey]
[activeKey]
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
[index]
[index]
[i]
[i]