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How To Use a Fill Light for Portraits

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Related course: Wow Factor Photography

A fill light helps to balance the light and gives you more control over your result. Using a single light source can cause ugly shadows and exposure problems. Portrait lighting using two lights allows you to regulate the light ratio.

Here’s how to use a fill light for better portraits.

outdoor portrait of a woman picking coffee beans using a fill light
© Kevin Landwer-Johan

Fill Light Photography – Definition

Fill light photography uses a second light source to fill in shadows and/or help balance the exposure. This lighting technique is especially useful when there’s a strong backlight.

A fill light is most often from a flash, strobe, continuous electric light or reflector. The light value of fill light on a subject is less than the light value of the main light.

The main light is always the brightest light in any lighting combination.

outdoor portrait of a woman posing on a beach shot using a fill light
© Kevin Landwer-Johan

Putting Photography Fill Light Into Practice

In situations when you have a single, bright light source it’s often a good option to use a fill light when making a portrait. This is most common outdoors on a sunny day.

Because the sun will cast dark, hard-edged shadows on your subject a fill light is useful. Adding a secondary light such as flash or using a reflector will soften or eliminate these shadows. It will fill them in with light. The result can mean a much more flattering portrait.

Strong backlighting is great for portraiture, but without using a fill light, it can be very challenging to achieve a satisfactory exposure. At times the high-contrast effect of having your subject dark and the background overexposed is desirable.

If you don’t want this look, adding a photography fill light will bring balance to the overall lighting. You can render your subject the same exposure as your background by adding in the correct amount of light.

The key to effective use of fill lighting is to set the correct fill ratio. To do this make an exposure reading from the lightest part of your composition.

This could be your subject’s face where it’s in the sun or it may be the background. Using your spot meter or camera monitor with your camera set to manual mode will allow you to manage your settings well.

Once you have determined how much available light there is you can then add in as much light as you need for the effect you want to create.

Sometimes you might want to balance the fill light exactly to the available source of light. This will eliminate the shadows on your subject’s face altogether.

a portrait of a woman posing as the mad hatter shot using a fill light
© Kevin Landwer-Johan

In this photo I used a flash bounced off a reflector as my main light which was to my right. I added light from a small softbox on my left as the fill light.

The fill light was set to give slightly less light than the main light so there are no dark shadows. Balancing the light ration so closely results in a fairly flat looking portrait.

Having your fill light providing one or two stops less light than the main light will leave some shadows on your subject. Filling in some of the shadows will create more depth in your portrait.

For this portrait, I had a small softbox on a stand to the left of my subject and slightly in front of her. I made an exposure reading of the ambient light and set my flash to output a slightly higher ratio.

This left some soft shadow on the right side of her face.

overhead portrait of a woman posing in a bakery shot using a fill light
© Kevin Landwer-Johan

It’s important to decide how much fill light you want to add to your portrait to get the look you want. It’s very common to see portraits where too much fill light has been added. It overpowers the main light.

This can cause some areas of your composition to be overexposed. It can also create ugly dark shadows from your flash.

Control Fill Light Using a Flash

Using a flash on the manual setting allows you to have control over the amount of output, regardless of the ambient light.

When you use your flash in any of the auto modes the flash and camera will determine the output. This calculation is made partly based on how much ambient light there is.

Sometimes you will not be able to achieve the results you want or the flash output will vary when you alter your composition.

Manage your auto flash settings with its exposure compensation settings. This is similar to controlling the exposure compensation when using auto modes on your camera. You can dial in to force the flash to either underexpose or overexpose.

Don’t be too focused on getting the ‘correct’ exposure by the numbers. Pay attention to your monitor and histogram to see the effect your fill light is having.

Studying the image on your monitor is helpful in determining the best fill light ratio.

outdoor portrait of a man posing at a train station shot using a fill light
© Kevin Landwer-Johan

Using a Reflector as a Fill Light

Portable foldable reflectors are a popular means of adding a fill light to a portrait. They provide a different feel of light than a flash will, but can be challenging to control. Many reflectors have a selection of surfaces you can choose to get the look you want.

The best way to use a reflector for portrait lighting is to have an assistant who understands what they need to do. Spend some time educating an assistant as to how to manage the reflector and see what they are doing with it. This will save you stress when you are taking your portraits.

Choosing the best reflector surface and having it at the right angle will provide a good photography fill light on your subject. Too much light reflecting can result in a poor exposure and a squinting subject.

I find it’s helpful to tell my subjects to look away from the reflector so they don’t hurt their eyes.

Having your assistant stand in the right place with the reflector will provide the most appealing portrait lighting. Opposite the location of the main light source is often the best place for a reflector.

With a reflector, you are able to see the results of the light on your subject and observe the ratios without having to take a photo first. A reflector is bigger than a flash. It will provide a softer light, especially from a non-shiny surface.

studio portrait of an akha woman in traditional dress shot using a fill light
© Kevin Landwer-Johan

Choose the Best Quality for Fill Light Photography

Using an unmodified flash can produce unflattering results. Even if you balance your fill light ratio beautifully a bare flash will reflect horribly off the skin. The resulting hot spots are pretty ugly.

Bouncing your flash or using some kind of modifier to soften it will help you make more flattering portraits. My preferred method of modifying my flash is to use a small softbox.

It makes working a bit slower, but the soft light from the softbox is totally worth it. Compared to a bare flash the light from the softbox is much more gentle and appealing.

studio portrait of a female photographer using a fill light
© Kevin Landwer-Johan

Careful choice of the right surface on a reflector is important. In bright sunshine, I don’t often use the gold or silver surface of a reflector as they will bounce too much and very harsh light into my subject.

Using a flat white surface in bright sunshine will bounce sufficient, soft light onto my subject.

In overcast conditions using the shiny gold or silver surfaces will help you achieve a soft light and a nice ratio for your fill light.

Conclusion

Two lights are better than one, often. The key is learning to control the output so you can achieve the desired ratio. Keeping you fill light slightly lower than your main light will leave a little shadow on your subject which can help create some depth.

Know the look and feel of the light you want. With a well-controlled fill light you can control the shadows which affect the mood of your portrait.

studio portrait of a female vendor in a busy market shot using a fill light
© Kevin Landwer-Johan

Look for naturally reflecting light to use in your photos. I love doing this with street photography.

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