When you look at the LUMIX GH5S, you can see why Panasonic has built a solid reputation for producing top-quality cameras with video capabilities.
Its 4K video capabilities are nicely matched with excellent autofocus and a stills camera that can shoot at 12 fps. As we know, impressive numbers don’t always translate to real-world use. So carry on reading this review to see what we think of the Panasonic Lumix GH5S and whether you should think about buying it.
Panasonic Lumix GH5S Overview and Specifications
Micro Four Thirds
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Maximum ISO (Native)
The specifications of the Panasonic GH5 surpass its older brother in many different areas. Here, we shall show the differences of the GH5 in black and the GH4 in red.
- 20MP Four Thirds sensor (no OLPF) 16 MP with a low pass filter
- 100 to 25,600 ISO range 100 to 25,600 ISO range
- 225 AF points 49 AF points
- 5-axis in-body image stabilization system with ‘Dual IS 2’ support no shutter stabilization
- 9 fps shooting with continuous autofocus 7 fps shooting with continuous autofocus
- Advanced DFD autofocus
- Dual UHS II card slots (V60 ready) Single card slot
- Autofocus point joystick
- 802.11ac Wi-Fi, NFC and Bluetooth Wi-Fi
- Pre-configurable rack focus mode
- Waveform and vectorscope monitors
- Paid upgrade to enable V-LogL video capture with LUT-based preview display
What else you will find on the Panasonic GH5 that isn’t present on the GH4 is the new customized AF settings. AF sensitivity and area switching sensitivity are customizable. It even has moving object prediction software.
The shutter stabilization is something new to the Panasonic GH5, as the technology had not been developed at the time of the GH4.
The Dual IS 2 combines sensor and optical stabilization for a total of 5 stops of compensation in the GH5 means it is great in low light conditions for slow shutter speeds.
The GH4 has a 2.36 million dot OLED EVF with 0.67x magnification. The GH5, however, raised the resolution to 3.68 million dots. This is a first for an OLED electronic viewfinder found in a mirrorless camera.
The GH5 has the same features as the GH4, such as time-lapse and stop-motion photography, but also includes image stacking. It is 13% bigger than the GH4, but the better-designed body means easiness of carrying.
Panasonic, due to creating the GH4 and other mirrorless cameras has enough native lenses to go around. The great thing about the Panasonic GH5 is that with an adapter, you can use lenses from your other systems. Nothing goes to waste.
What you may find difficult to comprehend straight away is that the crop factor here is at a ratio of two. Due to the four-thirds sensor, a 20mm lens on the Panasonic GH5 is a 40mm lens in reality. This goes all the way up, through all sorts of lenses.
This is great for macro and telephoto lenses as you get that increase without having to buy adapters.
For prime lenses, the Panasonic 20mm f/1.7 II is small and lightweight. The Panasonic Leica DG Summilux 25mm f/1.4 is twice the price but packs quite a punch.
For zoom lenses, nothing is going to beat the Panasonic Lumix G X Vario 12-35mm f/2.8. This lens will give you a 24-70mm 35mm equivalent, more than enough for most general purpose photography.
As wide angle lenses go, Panasonic Leica DG Summilux 12mm f/1.4, and the Panasonic LUMIX G Leica DG Summilux 15mm f/1.7 are great choices.
Standard lenses come in the form of the Panasonic LUMIX G Leica DG Nocticron 42.5mm f/1.2 and Panasonic LUMIX G 42.5mm f/1.7
The telephoto lenses for the Lumix GH5 aren’t native, but you can borrow the M.Zuiko Digital ED 75mm f/1.8 (delivers a 150mm equivalent) and 300mm f/4 IS PRO (600mm equivalent) from Olympus.
The macro lenses are the Panasonic LUMIX G MACRO 30mm f/2.8 and the Panasonic Leica DG Macro-Elmarit 45mm f/2.8.
Differences to Other Mirrorless Cameras
One of the main contenders against this GH5 is the Sony A7II. The GH5 surpasses the A7II as it has a better lens selection, the LCD viewing screen is a touchscreen and it is about $400 cheaper.
The A7II is a full frame sensor camera, with a resolution of 12.2 MP, whereas the GH5 boasts almost double the MP, while being a four-thirds camera.
The GH5 starts up faster, has dual card slots and photographs more raw fps, coming in at 11.9 vs. 5 on the A7II.
The main competitor of the Lumix GH5 is the Olympus OM-D E-M1 II. Both are four-thirds cameras, yet the E-M1 is smaller and lighter of the two. they are similar in their level of control over an image, but the GH5 offers customizable n buttons on the rear.
The GH5 sports a dial around the menu pad, which can be a difference of flexibility, whereas the E-M1 only has directional buttons.
Both are 20MP, feature 5-axis image stabilization systems, GH5 coming in at 5 stops whereas the Olympus model boasts a 5.5 stop for the body alone. Its a little similar to that one-up conversation you have with children in the playground, but that extra could go a long way.
One of the biggest differences is that the GH5 includes the Post Focus option. This lets you decide on the point of best sharpness in the frame after capture
The E-M1 is better for sports and action photography, due to its 121-point AF system, and being able to photograph 60 fps burst shooting and 18 fps with a continuous focus. Wow. The other great feature is the clever Live Bulb option. This lets you see long exposures developing as they are captured.
As a photographer, I aimed for and bought a high-end DSLR many years ago. The beast is still in my possession, and it is still my main camera. I know how it works inside out, and I also know what it’s limitations are. As it is now a few years old, the limitations become more and more apparent.
Now that my main photography focus has shifted from interior and live concert photography towards street and documentary photography, I have started to try out different camera systems and brands.
My Canon 7D is a workhorse, and it covers all these things I have tried so far, except three areas. It is a heavy thing, meaning most gimbals cant cope with it (not can my arms), it suffers in low light conditions and it isn’t at all silent. This means it isn’t a great camera for candid images or event photography.
When I bought this camera in 2010, the mirrorless systems were not as technologically advanced as they are today. They were not an option to me. Now, from trying this mirrorless system, I am sold. Not only is it lighter, smaller and better, I noticed it focuses faster using many more points than my high-end DSLR.
For street photography, it is the perfect camera compared to my Canon 7D. It photographs silently, it is compact enough to keep photographs candid and the flip LCD screen means shooting from the hip is easier and more productive.
I really love the 12-35 lens, working fast and with ease. My only qualm is that I was unable to try other lenses, as I didn’t have the opportunity nor did I have the adaptor ring allowing me to use my Canon and Sigma lenses.
The only downside to getting a new camera is the cost. Cost of the body and of the lenses. With this model, I can use my own previously bought lenses until I can afford others. Buying a new camera body will have to happen at some point too, so It is inescapable.
The mirrorless camera Panasonic GH5 would be my choice in camera due to the fast capture rate, the inbuilt image stabilisation and the DFD autofocus system.
I find these too good to miss, and wish that the Sony A7II had this. Then it may have been a contender.