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How to Use Frequency Separation in Photoshop for Great Results

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More often than not, we are unpleased with our image straight-out-of-the-camera (SOOC). As photographers, we need to edit them to emphasize the parts that make the photographs stand out.
Frequency separation is one way to do this. Read through our article here for what frequency separation is and how to use it.

What is Frequency Separation

Frequency separation breaks down image data into what we call ‘spatial frequencies’. You can then adjust these different frequencies independently.
There could be a number of different frequencies within each image. They all contain different amounts of information.
High frequencies in an image will contain information about the fine details. These include hair, skin tone, skin texture, pores, fine lines, and skin imperfections.
Low frequencies carry information about volume, tone and color transitions. Basically, shadows and light areas, colors and tones.
We use the frequency separation retouching mainly for skin retouching. There are many ways you can do this. You could use a High Pass filter, for example.
By using Gaussian blur instead, the spread and pixel radius are chosen for us.
Our method here is one of the fastest and easiest.

Why Use Frequency Separation

Look at the image below. We want to keep the texture of the mans’ face, as that is interesting and full of character.
We need to look below this to areas of blotchiness, or where the face doesn’t receive the same amount of light, contrast, color or otherwise.
A screenshot of editing a portrait of a man in Photoshop - highlighting areas of blotchiness

How to Create Frequency Separation in Photoshop

First, open your image in Adobe Photoshop.
Duplicate the background layer three times. Do this by dragging the layer to the ‘Create a New Layer’ tab at the bottom.
A screenshot of editing a portrait of a man in Photoshop - opening your image
Rename the different layers as you see fit, but we prefer High-Frequency Layer, Low-Frequency Layer, and Background.
The High-Frequency layer is for the texture, the Low-Frequency Layer is for shadows and light areas. The Background Layer allows you to revert back to the original if need be.
A screenshot of editing a portrait of a man in Photoshop using frequency separation - naming the layers
Next, turn off the High Frequency Layer. You can do this by clicking on the ‘eye’ icon next to the layer.
A screenshot of editing a portrait of a man in Photoshop using frequency separation
Select the Low Frequency Layer, go to Filter>Gaussian Blur.
A screenshot of editing a portrait of a man in Photoshop using frequency separation - naming the layers
In the pop-up dialogue box, select a radius value that puts the texture of the face just out of focus.
A screenshot of using frequency separation to edit portrait photography in Photoshop
After pressing ‘OK’, make sure the High Frequency Layer is now turned on.
A screenshot of using frequency separation to edit portrait photography in Photoshop - turning on the high frequency layer
With it selected, go to Image>Apply Image.
A screenshot of using frequency separation to edit portrait photography in Photoshop
In the Apply Image dialogue box, make sure the Layer says Low Frequency Layer. If you named the layers differently, make sure it is the one you applied the gaussian blur too.
Change the ‘Blending’ option to Subtract, and the ‘Scale’ and ‘Offset’ should be 2 and 128 respectively.
A screenshot editing portrait photography in Photoshop - apply image
Press ‘Ok’. Next, change the blending option in the Layers panel to Linear Light.
A screenshot of changing blending option in Photoshop
This concludes how to make a frequency separation. Next, we will look at how to use it.
A before and after shot of using frequency separation on a portrait photo of a man

How to Use Frequency Separation

Ensure the Low Frequency Layer is selected.
A screenshot of selecting low frequency in Photoshop for editing portrait photography
Locate the Lasso tool on the toolbar on the left of the main window.
A screenshot of selecting the lasso tool in Photoshop for editing portrait photography
Start with the areas that have the highest concentration of blotchiness and an overabundance of texture.
Draw the lasso around the area.
A screenshot of using the lasso tool in Photoshop
Finish the selection by taking the end of the lasso back to where you started from.
A screenshot of editing portrait photography in Photoshop using frequency separation
For a better idea of the selection, use the Quick Mask Tool. Press ‘Q’.
A screenshot of editing portrait photography in Photoshop using quick mask tool
You may find that the edges are a little too harsh. You can change this by increasing the amount of Feathering.
Press ‘Q’ to leave the Quick Mask Tool, where you can go to the top toolbar and change the Feather. Use 27 px.
A screenshot of editing portrait photography in Photoshop using quick mask tool
Exit the Quick Mask Tool, then go to Filter>Gaussian Blur.
A screenshot of editing portrait photography in Photoshop using gaussian blur
Change the Radius to a slightly blurred version. Somewhere around 4 pixels.
This will obviously change depending on the texture of the face you are working on.
A screenshot of editing portrait photography in Photoshop
Repeat this step for every area of blotchiness that you find.
Use different varying degrees of radius as not to make the editing process obvious.
A screenshot of editing portrait photography in Photoshop using frequency separation
Repeat as many times as you need to.
A screenshot of editing portrait photography in Photoshop using frequency separation
After you have finished, the face should have a difference such as this:
A before and after shot of using frequency separation on a portrait photo of a man

Getting Closer

Next, select the top layer.
A screenshot of editing portrait photography in Photoshop
Find and select the Clone Stamp from the left-hand toolbar.
A screenshot of selecting clone stamp tool in Photoshop for portrait editing
Ensure that the Sample you are using shows only This Layer.
A screenshot of using frequency separation in Photoshop for portrait editing
With the clone stamp tool selected, press Alt to select a source zone, which will give you the texture for when you apply it (Alt to select a sample, release Alt to apply).
A screenshot of how to use frequency separation in Photoshop for portrait editing
Go through-out the face, cloning and applying where you see fit on a more local scale.
Zoom in without changing your selected tool by holding Alt and using the middle mouse button.
A screenshot of how to use frequency separation in Photoshop for portrait editing
And there we have it. Once you are finished, ensure to do a sweep to make sure you covered all of the areas.
A screenshot showing how to use frequency separation in Photoshop
If you feel the blur is too strong, you can bring down the opacity.
This will let the original background layer to come through a little more, increasing the texture as it was originally.
To do this, you need to select both layers, and then reduce the Opacity to around 80%, or as you feel.
A screenshot of how to use frequency separation in Photoshop for portrait editing
There we have it. As you can see from the three images below, we have the original image, the finished result before we changed the opacity and the image after.
A triptych image of a detail from a portrait of a man, comparing the difference between the bass image, after 100% opacity and after 80% opacity

Conclusion

There are a few different ways you can create this frequency separation technique, but we found this to be the fastest and easiest to use.
Consider the Surface Blur Tool, or even the Sharpening Tool to bring back some of the texture.
Practise until you know it inside out, as this is a very helpful tool for all those of you who focus on portrait photography.

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