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How to Get Creative Photos With Paint in Water Technique

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Related course: Wow Factor Photography

Is that a 3D model? Is that a combination of two completely different images? That’s the comments I got after I posted my shots from Desintegraded series, where tomato, chili pepper, and broccoli looked vaporizing into a colorful cloud.

No, that’s not 3D or any elaborate post-processing. This effect was made in-camera. Or, to be exact, in a fish tank. Welcome to the colorful world of paint in water photography.

Let’s see how we can create amazing paint shapes underwater and step up our creative still life photography.

A tomato on a fork using colorful paint in water technique
Disintegrated Tomato. My first experiment with paint in water photography

How to Pick a Hero

First of all, imagine a picture you want to get and pick an object that will be a hero of your shot. You can shoot just abstract clouds of paint, that’s cool. Especially if you combine two or three colors in one cloud.

But with a specific recognizable object, you can tell a story with your photo. Your shot becomes not only a cool wallpaper but a work of art.

A pink cloud using colorful paint in water technique
Abstract clouds are fine…

You can put an amazing cloud of paint behind a perfume bottle. Or pour some paint inside a martini glass and make a ‘cloud cocktail’.

You can pick some fruits or vegetables and make them dissolve in colorful clouds. Or maybe even photograph several objects at the same time and make a fast-dissolving salad.

Flowers are also a great choice for this trick. For example here I picked a tiny Like icon made out of thick paper.

A pink cloud shot using colorful paint in water technique
But clouds with a story are even better!
A fork of broccoli with green cloud shot using colorful paint in water technique
Try using different fruits and vegetables
A still life with purple cloud shot using colorful paint in water technique
Or shoot all kinds of flowers!

What Props Do You Need

Fish tank

The first thing we need is a small fish tank. I can’t stress enough that the fish tank should be really SMALL! Four liters would be enough.

It’s important because after every iteration we need to clean and refill the fish tank. And start again. It’s much easier if you can lift it and carry it to the bath or sink without the risk of dropping it or exhausting yourself.

A diptych of a chilli on a fork with red cloud and setup shot using colorful paint in water technique
My first fish tank was too big

I made my first experiments in 15-liters fish tank. I consider myself to be a rather sporty person but carrying around 15 liters of water in a slippery glass box was hard.

After that, I bought the smallest fish tank I could find, and it’s just perfect!

A still life diptych with purple cloud shot using colorful paint in water technique
So I switched to this one

Acrylic Paint Mixture

Another important thing is the paint. Keep in mind, that different types of dyes behave differently in water. Acrylic paint is much denser than water, it holds together as it drifts through the tank and forms lovely opaque clouds.

Ink (usually spirit-based) is light, transparent and a bit hard to control (it has a tendency to escape from the syringe before you start to push it).

Food dye is transparent, not as bright as ink and has exactly the same density as water.

Acrylic paint, ink and a food dye in water.
Acrylic paint, ink and a food dye in water.

I favor acrylic paint both for its fantastic look and the natural way it interacts with solid objects.

When I was shooting dissolving tomato or chili pepper, I assumed, that if they would really dissolve in water, they would produce a dense transparent smoke, as acrylic paint does.

Overhead shot of mixing paint to shoot colorful paint in water photography
Mixing paint to match the color tone of my object

Before we are ready to form a cloud, we need to have some modifications. First of all, use some water to make acrylic paint a bit less dense. So you can pour it easier.

Don’t add too much water, because too watery solution won’t produce sculpture-like shapes we want to see. Also, mix the color to match the tone of your object.

It doesn’t have to be 100% correct, just close enough.

Overhead shot of mixing paint to shoot colorful paint in water photography
Here I made a mistake and you can see that the red paint is obviously too thick

One last note, I like using syringes without needles for pouring paint. It gives me more control. If you like using something else (even a teacup), that’s okay too.

Supports for the Main Object

If you’re not shooting only abstract clouds of paint, but have an object to play the leading role, you’ll need something to fix the object on its place.

The entire construction should be steady and motionless. So the only thing that’s moving will be painted.

There can be several solutions to this problem.

  • First, use special clamps, if you have them.
  • Second, a sheet of glass. For my shot of chili pepper, I glued a fork to an additional sheet of glass. If the glass is clean and unscratched, it would be completely invisible inside the water.
  • Third, a combination of a stick, a glue gun, and a stationary clamp. I did that for the shot with Like icon, as you can see.
a chilli pepper on a fork - setup to shoot colorful paint in water photography
I didn’t have proper clamps and just glued everything to a sheet of glass

Whatever you do, don’t use threads and strings. Unless you can attach them at the bottom of the fish tank as well and thus make the construction steady.

They tend to react on every motion in a body of water, making the object unstable and draining all the fun from the process. Keep everything in its place and enjoy.

A setup to shoot colorful paint in water photography
I glued this paper icon to a knitting needle and fixed it with a clamp in a position I wanted

Photography Gear for Paint Droplets

The gear we will need is rather simple too: a camera, a tripod and any light source suitable for shooting splashes. In my case, it’s two speedlights SB-910.

On low power, they have a flash duration short enough to freeze the liquid in motion.

You can use almost any lenses you want, but the macro would be the best choice. The remote release would be helpful too (but it is only a device for convenience, but not the requirement).

Using a tripod is extremely important. It keeps your camera still and secure for sharper shots.

And it means you can focus manually, arrange your composition and just leave your camera in place, watching the beauty of mixing colors. Your camera is ready for a perfect composition with each shot.

Fill the tank

Fix everything in place. I glued my Like icon to a knitting needle, put it in the tank and fixed with a special clamp. In the case of lavender, I glued everything to the bottom of the tank.

Make sure your objects are steady. Carefully fill the fish tank with water.

A still life triptych a chilli pepper on a fork setup to shoot colorful paint in water photography

Beware the bubbles! They tend to emerge not only on your objects but on the walls of the fish tank.

To remove them use a squeegee, a wooden spoon or even a simple brush.

a chilli pepper on a fork - setup to shoot colorful paint in water photography
Remove bubbles from your objects
setup to shoot colorful paint in water photography
And don’t forget to clean the glass of the tank

Mind the orientation

You may want to turn your final shots upside down. Sometimes final shot looks more interesting if a cloud of color is going from left to right or from bottom to the top.

You may want to take a vertical photo, rotated later on 90 degrees counterclockwise. In that case, keep in mind, that paint will be poured from the top to the bottom.

Set your camera on a tripod taking into account the further rotation.

a chilli pepper on a fork in a fishtank - setup to shoot colorful paint in water photography
On the final shot, paint goes from left to right

Set the lights

The scene is lit by two speedlights set on the low power. The power from 1/8 down to 1/128 provides a very short pulse that will freeze the motion of the liquid.

One speedlight is inside a small strip-box right behind a fish tank. It works both as a key light and as a background. Another is on the right side of a fish tank.

 setup to shoot colorful paint in water photography
Two lights and a sheet of paper working as a reflector

Also, there is a sheet of white paper on the left front side working as a reflector to soften shadows.

I use wireless triggers on each speedlight and a transmitter on the hot-shoe of my camera. One of my transmitters works as a remote release, which is pretty convenient.

Pre-focus before shooting

Sometimes autofocus doesn’t work well. Especially in continuous mode — it slows things down and tends to make mistakes. Switch your focus in a manual mode and put the camera on the tripod to get a nice and sharp image.

Focus on your main object. Or if you’re shooting abstract shapes of paint, take any random item and hold it in the middle of the tank. Then pre-focus on it and switch to manual focus to lock off the focus point.

Take a shot!

Set your camera on a continuous mode to make several shots in a row.

If you’re working with speedlights your shutter speed would depend only on their flesh duration. So set the synchronization shutter speed and adjust the aperture to get a well-exposed image.

If you’re using natural light, set the fastest shutter speed possible to freeze the motion of the liquid.

triptych setup to shoot colorful paint in water photography
Pour and shoot!

Check if everything is steadily fixed and pour some paint slightly behind your object. Try to make the paint touch the object, but not get in front of it.

Don’t let the paint completely hide the main object, it will just create a mess. Pour it from behind or from the side and be careful with a pressure force.

 setup to shoot colorful paint in water photography
What happens if you are not careful with paint

Also, pour very close to the surface. If you drop paint from height, you would make it move faster and it may impact the water harder, making the process more difficult.

a triptych of a chilli pepper on a fork - setup to shoot colorful paint in water photography
After each iteration we need to clean and refill the tank, so be careful where you point the flow of paint

Take a sequence of shots while the paint is making beautiful clouds.

underwater still life setup to shoot colorful paint in water photography
Try using two colors, it makes final images even more interesting

Give it some polish

Choose the best shot and give it a little polish. In my case, I needed to remove bubbles on my Like icon, because it was damaged by water.

That’s not a big deal, a couple of minutes of working with Clone Stamp fixed that.

setup to shoot colorful paint in water photography
Best shot from the series
underwater still life setup to shoot colorful paint in water photography
I deleted the supports and a water reflection above

Also, you can add some details from other iterations. For example, replacing the syringe on the left side of my chili pepper with some swirls of paint.

Adjust colors and contrast and delete all random dust particles and scratches.

a triptych of an underwater chilli pepper on a fork - setup to shoot colorful paint in water photography
Here I combined two pictures together to mask the syringe

Voila! You got a colorful shot with clouds of paint! Now try it with different objects or attempt to arrange a more complicated scene.

Here are some more examples of what you can do.

a diptych of pink doughnut and cloud, plus setup to shoot colorful paint in water photography
One more example of simple post-processing
an orange slice on a fork - setup to shoot colorful paint in water photography
Fruits look great with this trick!
a teacup filled with clouds of color - colorful paint in water photography
Don’t be afraid to experiment with colors

Hope you can use this tutorial as a starting point on your way to fantastic and colorful photos. Your turn now! Feel free to show us your photos in the comments.

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['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
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[i]
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['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
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[i]
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['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
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[i]
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['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
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[i]
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['rmockx.RealPlayer G2 Control', 'rmocx.RealPlayer G2 Control.1', 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', 'RealPlayer']
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[index]
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