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10 Street Photography Composition Tips for Urban Shots

Last updated: November 12, 2023 - 11 min read
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Street photography is all about capturing life as it happens and telling a story with your images. It can be a great way to practice your composition skills since you often don’t have the luxury of staging or rehearsing shots.

Here are ten tips to help you improve your street photography composition.

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Utilizing the Rule of Thirds

The rule of thirds is one of the most commonly used composition guidelines in photography. This rule exploits the human eye’s natural tenancy to gravitate to a certain area.

By mentally breaking an image down into parts, you’ll become much more aware of subject placement. This allows you to take control of the focal points in an image.

To apply the rule of thirds, imagine you’re dividing the image you see through your viewfinder into three rows and three columns, or nine equal parts. The inner intersections of the grid show the four points that a viewer’s eye tends to seek out.

Placing points of interest at the intersecting points creates balance and maximizes viewer impact.

Street photography of a young woman walking down a street, showing how to use the Rule of Thirds correctly
Correct photography composition
Photo of a young woman showing the Rule of Thirds used incorrectly
Incorrect photography composition. Placing the subject in the center of an image is less natural and loses the balance of a correctly placed subject.

In an image comprised of multiple subjects, the bottom-right point is the strongest, and the upper-left point is the weakest. You can see examples of this in theater and on television. This way, you can emphasize a single subject depending on its placement.

When an object is alone in an image, the strongest position is the left-hand line. This happens because Western culture is predisposed to reading an image from left to right. You may want to take this into account when photographing cultures that read right to left.

In the case of portraiture, another general rule is that your subject should be on the opposite line of the direction that they’re looking in. If your subject is looking to their left, they should be positioned to the right of the frame.

This gives the photo more depth and avoids making the subject look bored or staring off into the distance.

Include Negative Space

Sometimes what you leave out of a photograph can be more important than what you leave in.

As photographers, we choose what to include and exclude in a frame. Incorporating less into a photograph can give a subject emphasis and breathing space to capture and hold the viewer’s attention.

Positive space is the subject, while negative space is the unoccupied area in an image. Too little negative space results in cluttered photos, with every component in the image competing for attention.

black and white photo of a dove in flight, showing how to use negative space in street photography composition
In this image, the dove is the positive space. The blank walls behind the dove are the negative spaces that cradle the point of interest.

In the image above, the negative space puts greater emphasis on the subject. Which, in this case, is the dove taking flight. The motion of the subject is offset by the area in which the eye can rest. And this offers greater interest to the subject without distraction.

The negative space also introduces a sense of mystery. Where does the image end? Where was it taken? And where is the dove going?

A more cluttered image would deliver too much information, turning an observational photograph into a casual, everyday image.

Shallow or Deep Depth of Field?

There are endless opportunities to explore depth of field in street photography. Knowing how your aperture and focal length affect depth of field is a must for any photographer.

Like the human eye, a camera can only focus its lens at a single point. However, there will still be an area in front of and behind this single focus point that appears sharp in an image. This zone is called the depth of field.
Japanese signature stamps illustrating depth of field in photography composition
The depth of field isn’t a fixed distance. It changes in size depending on your camera settings. And depending on your subject, you may need a shallow (where only a narrow zone appears sharp) or deep (where more of the picture appears sharp) depth of field.

As an example, you would generally want a landscape photograph to have a deep depth of field. When you want to draw attention to a particular detail in an image or add a greater sense of depth, you can use a shallower depth of field.

Setting your camera to a wide aperture (like f/2.8) will give you a shallower depth of field, whereas an aperture of f/22 will give you a deeper depth of field. By combining your aperture and focus settings, you can create dynamic images that tell a greater story.

Zone Focusing for Faster Shots

One important aspect of depth of field in street photography composition is zone focusing. Capturing candid subjects while maintaining sharp focus is one of the most difficult aspects of street photography. You can use the auto focus setting on your camera. But it is rarely fast enough to capture an image the very second you see it.

Zone focusing is prefocusing your camera to a certain distance, then photographing subjects as they enter that range.

To zone focus, you’ll need a lens with a manual focusing meter. This shows you the distance that the camera is focused at. Simply set your lens to manual focus and decide what distance you would like your subjects to be sharp at.

It may take some time to determine the exact lengths of the focal range. I set up a tape measure to figure out the distance of the focal range. This gives me a good idea before I go into the field.

Use Leading Lines to Draw the Eye

Leading lines are another great way to add depth to your street photography. It means using lines in an image to guide the viewer’s eye around a photograph. They add a new dynamism that gives an image a sense of direction or flow. It can also lend order or disorder to an image, affecting the emotion of the photograph overall.

Road stripes, handrails, fences, bridges, shadows, horizons, footpaths, and buildings are common examples of leading lines used in street photography composition. More organic sources like pointed fingers and gestures can also count as leading lines.

how to use leading lines in photography composition on a picture of a caged sphynx cat
In this image, the leading lines of the cage lead the viewer’s gaze to the main subject of the image, the cat.

Include Texture to Connect the Viewer

Touch is one of the five main senses, and texture connects a viewer to the world. Visual imagery draws on powerful associations and creates an interesting and stimulating piece of work.

In street photography, there are plenty of opportunities to photograph subjects with texture. Some examples include weathered boards or peeling paint.

Street photography composition tip: black and white picture of a marked up wall
Due to our associations with touch, the scratchy etchings marking this piece of concrete can create a haptic experience.

The easiest way to convey texture within a photograph is to focus on detail. Finding textures in street photography is easy. There are hundreds of examples surrounding us at any given time. But finding an interesting textural piece worth photographing is a little harder.

Try and concentrate on eye-catching colors or patterns. Investigate the makeup of the city. Once you start seeking out these textures, your eye will become trained to easily spot potential photographs.
street photography composition idea: close-up of an orange bollard

Use Patterns and Repetition

Patterns come in endless shapes and sizes. But they all fall under the heading of a repetitious subject matter. Patterns can provide order to a scene or add to the chaos of our urban landscape.

Because humans are hardwired to identify patterns, there is something both soothing and unsettling about a pattern. They make us wonder about the rhythm of our environment. They invite our eyes to dance across the image and then back again.
using pattern in photography composition, black and white tiles
In street photography, patterns can be shapes, colors, or objects. And they can be either organic or manmade. Manmade patterns like brickwork, stairs, parking lots, or buildings are a great place to start. 
Soon you’ll find that, just like with texture, your photographic eye will quickly become trained to see the world through patterns. It’s a great way to refresh your photographic style.

Street photography inspiration: Japanese toy dispensers arranged by color in a pattern: white, purple, yellow
Some patterns can be similar objects in an urban environment, like this image of Japanese toy dispensers.

Choose Your Framing Wisely

Framing for photography composition creates a self-contained image, like a photo within a photo. Essentially, you are crafting a frame within a frame to deliberately bring focus to a subject. This adds narrative and a sense of voyeurism.

Framing makes use of design skills to add an extra layer to an image. You can also use it to mask less attractive areas of a photograph. It also directs the viewer’s eye straight to the points of interest.
framing in street photography: picture of a man looking out the window of a train compartment
Composing an image by making use of framing can take a little bit of scouting around. Get started by seeking out windows and doors. They are some of the more common frames found in street photography.

You’ll find that a lot can happen even in the most confined spaces in the urban landscape. Framing these events adds a layer of importance or weight to the subject.

Change Your Perspective

Has someone ever suggested you change your perspective on a situation? Sometimes approaching something from a different angle can reveal a subject in a whole new light! It’s the same with photography composition. Unusual perspectives impact the experience of both the viewer and the photographer in a unique and engaging way.

Perspective involves training your photographic eye to recognize unique opportunities. And to respond to them in interesting ways! If you find yourself getting stuck for inspiration, try placing your camera on the ground and taking a few shots.

Perspective means getting physical with your photographic practice. And remember that changing the perspective of a photograph is always an option. Don’t waste the opportunity to make the most of a shot!

low perspective photograph of an empty street
From a low perspective, the ground and the horizon either intersect or sandwich the subject material, creating emphasis and guiding the eye around the image.
street photography of a building taken through a fence
Perspective means getting physical with your photographic practice. Try poking your camera lens through the gaps in a fence to add narrative to an image.

Use Color to Grab Attention

To go for a color or a black and white image is a compositional choice. And each has its pros and cons. Color has the power to signify time and emotion through a single or combination of hues. Just as we associate warm colors like red and orange with comfort or heat, we relate to the colors in a photograph.

This provides the viewer with clues about the image to create a more immersive experience. Color also has the power to grab a viewer’s attention. This is because it appeals to our evolutionary tendency to seek out and respond to intense colors.

If you find that the relationship between distinct colors in your image is important or if you are trying to indicate a certain season or emotion, color would be your best bet. However, if your image looks too busy with too many colors happening at once, you may want to consider converting to black and white.
using color in street photography composition, picture shows a woman dressed in yellow with her back to the camera, facing the yellow wall of a building

Go Black and White

Due to its association with documentary and street photography, black and white images generally evoke a sense of seriousness. A black and white color scheme also appears to be more timeless than color images. They are free from color schemes associated with particular types of film, processes, or trends.

This timelessness is important in street photography composition. That’s because it helps maintain a sense of relevance and poignancy over history.

Many photographers prefer black and white images because they distance the subject from reality. In street photography, an image of the world in monochrome is foreign to our color vision. This gives us a reason to pause and investigate an image more carefully.

Due to the lack of cues that color photography provides, the viewer will tend to pause on a black and white photograph to read what is happening in the image. This slower viewing time means that a photographer has more time to communicate with a viewer.


It may be true that rules are meant to be broken. But getting to know photography composition is an important way to hone your photographic skills. Understanding composition will help you create more compelling and naturally balanced images for street photography and have fun while doing it!

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