Cities are the most dynamic, vibrant, and ever-changing playgrounds for photographers. But city photography is not only about breathtaking skylines and cityscapes.
It is easy to play it safe and limit yourself to the classic tourist snapshots. Or to be overwhelmed and try to shoot everything that moves or stands tall.
Below are our top 23 tips for getting the most out of your city photography adventures!
Every city has its fair share of crime. Ask the locals and tourist offices for places a tourist should avoid. Keep in mind that what seems like a nice, common street by day can be a risky area by night.
Be aware of what is going on around you. Try not to attract too much attention by walking around with lots of equipment. If you are not on a professional assignment, you may ditch your expensive pro gear. Take a more modest-looking or compact camera instead.
You won’t compromise much image quality, but you’ll be safer. It’s always a good idea not to go out on your own. But it’s worth bringing a friend or two when it gets dark.
The city is not your home studio, and the people you see are not there posing for you. Be respectful and make sure you’re not being imposing or threatening.
Some street photographers like to jump at people’s faces with a flash to get candid reactions. Like Magnum photographer Bruce Gilden. Not everybody is comfortable enough to do this with strangers in the street. And it’s not always legal depending on where you are.
Urban photographers hit the streets for many hours at a time in all . Dress comfortably and stay warm in the winter. Make sure to dress in layers and have good shoes.
If you are carrying heavy equipment, a backpack is more comfortable than a shoulder bag.
Look up, look in front, now to the left and to the right. And now look behind you. Scan the city for small details, hidden patterns, interesting people, and situations.
The best thing about city photography is that you cannot plan your pictures. There’s always something new, even if you photograph the same location every day.
If you are visiting a city for tourism, a good zoom lens is far more important than the kind of camera you are using. A travel zoom lens for and mirrorless cameras is often all you need. They will allow you to shoot both cityscapes and candid portraits.
Bridge cameras with power zoom, such as Sony RX10 with its 24-200 f/2.8 lens, are great all-around cameras for the city. The fast aperture is also great for indoor use.
Smartphone cameras are best used for casual shots. And for some street photography, they’re great because they’re small and don’t attract too much attention.
A travel tripod, such as the MeFoto RoadTrip S and the Gorillapod, is also a nice thing to have. Especially if you are after some night shots. Unfortunately, some cities have laws against the use of large tripods in the urban environment.
If you are unsure but you really want to bring the shot home, set up the tripod. But if you are asked to leave, don’t make a fuss. Sometimes a monopod is more accepted.
A circular polarizer can remove glare from the streets and cobblestones in wet weather.
Shoot your image through archways so that it has a nice frame around it. In general, there are archways in older parts of the city. Sometimes you have to wait for the right time to get the perfect shot.
You can also look for interesting shadows that the sunshine generates through the arches.
The most obvious kind of photography you can do in the city is architecture photography. Every city has famous landmarks such as monuments, buildings, churches, and more.
A wide-angle lens is a must for capturing an entire building. But you will get some distortions in the image. If you can, try to put some distance between you and your target to reduce perspective distortions.
A careful composition can help to make the building more imposing. I did this by increasing lens and perspective distortions in the image below.
Famous landmarks are not the only kind of interesting architecture you can find. Look around for shops, train stations, modern corporate buildings, and anything else that looks interesting.
Focus on the typical architectural style of the city you are in. New York and Rome have very different buildings. But they are both iconic, and most people would recognize them in city photography.
There are two kinds of cityscapes—the skyline, where you see part of the city from a distance. And bird’s-eye views over the city.
Skylines require putting some distance between you and the city. A famous example is New York City’s skyline seen from across the Hudson River. Or the City from across the Thames in London.
Bird’s-eye views are taken from rooftops and high vantage points. Some monuments, hotels, and buildings also give access to a panoramic terrace.
Keep in mind that not every city has a nice skyline. It is always worth climbing up to a higher spot and getting a new perspective on the city.
I’m lucky enough to live in a tall building on top of a hill in Brussels. And I like to sneak on the roof to take breathtaking images of the south part of Brussels.
Sometimes, though, it is nice to zoom in a little to isolate some interesting buildings.
This technique is very specific. It consists of photographing the same place for many hours at a regular intervals. All the images are then combined together to display the passing of the day, from morning to night. Photographer Stephen Wikes is a specialist in this technique.
Day-to-night works best on large cityscapes, where you can create a smooth transition. A less time-consuming alternative is what I call Golden2Blue (from the golden to the blue hour).
Fisheye lenses are often considered toy lenses because of their distortions. But you can use them for serious photography to create interesting city images.
Fisheyes are compact and light lenses. They have very wide fields of view, are quite fast, and have very large depths of field. Focus is not something to worry about. Even with manual lenses such as the Samyang 7.5mm f/3.5 MFT fish-eye lens I own.
We have written about fisheye photography in detail before. To summarize, it is all about understanding lens distortions and working with those to create more dynamic images.
The increased distortions make the leaning building effect less disturbing. It’s handy when photographing a building from up close.
Colors are everywhere. Try to look for matching colors in your scene. Some cities such as Rome, Venice, or Nice have amazing pastel colors everywhere.
Buildings are nice and easy to spot. But look around for those interesting details that are everywhere to be found. This can be anything from an ivy-coated building to funny street art.
When I stroll around a city, I always look at empty courtyards or abandoned streets. You never know what hidden gem you may find in there.
Patterns are another exciting subject in city photography. In harsh daylight, it’s better to focus on patterns rather than cityscapes. Take advantage of the strong contrasts due to the hard light.
Windows can reflect the sky. In the cloudless and sunny afternoon, I managed to get both a pattern and matching colors in this image.
Weather can have a huge impact on your city photography. Brussels is not known for its thunderstorms. But I was lucky enough to catch a bolt of lightning striking somewhere across the street.
Bad weather at sunset creates spectacular skies. It will make your cityscapes stand out.
And what about a double rainbow over the city?
To photograph the city with plenty of details during these times of the day, you need a tripod. But the results are well worth dragging your tripod around.
At night, the city transforms thanks to all the different lights. You get yellows from the older parts of the city and blues from the more modern areas.
Sometimes you will find some light displays at monuments, buildings, and squares.
And the night is the realm of the light trail from the traffic. Photograph a road at night to get the classic brake light trails. Or you can be more creative and use a fish eye to capture an entire roundabout and its carousel of light trails.
There is no city without graffiti. Many of them are uninteresting, but some are very nice and artistic.
The best ones, though, are often quite small and unexpected, so keep an eye out while you wander the streets. Many cities welcome street art now.
Vienna has a canal where graffiti is legal, and the artists repaint the walls every now and then. Brussels has a comic strip walk with walls depicting comic book characters. Florence has street signs decorated with funny figures.
And not to mention Banksy! The famous British street artist who left his signature work in cities all around the world.
Look for street art and interesting graffiti in every city you visit. Who knows, your hometown might have a few interesting pieces that you didn’t know about.
You can use infrared photography to add a wow factor to your city pictures. You may create fresh images of tourist spots. Also, it’s interesting to see how materials look in infrared light.
To start, all you need is an infrared filter such as the Hoya R72 and a sunny day. With unmodified cameras, infrared photography means doing a long exposure photograph. So you will need a tripod.
Parks are great locations for infrared photography. The most surprising effects are on tree leaves and grass.
If you are curious about this technique, read our detailed article about how to shoot infrared photography.
Long exposures are great in the city because pedestrians and moving traffic will be invisible in your image. You can do long exposure in daylight by using strong neutral density (ND) filters and a tripod.
The classic image is a black-and-white building with interesting architecture. It is standing against a dynamic sky with fast-moving clouds that will introduce movement to your image.
You can also combine a standard exposure with one taken with an ND filter. In the image below, I wanted to get the movement from the slow-turning Ferris wheel. I combined exposure for the city and the sky with a long exposure taken with a 10-stop ND filter.
The reason to combine the exposure was that the clouds were nicer in the short exposure.
As I said, you should always look out for interesting subjects and angles. But don’t forget to look straight up at building facades for interesting shapes and patterns.
People are a big part of the city. They are everywhere and are interesting subjects. But remember, they aren’t there to pose for us, so be respectful.
Avoid photographing children or jumping in people’s faces even if you are after candid portraits. Don’t photograph them just because they look weird or to ridicule them. Instead, try to build a story or convey a message.
It is easy to photograph people in tourist places as they are used to seeing other people photographing and tend to ignore you. Also, smaller cameras can help you go unnoticed when you shoot street photography.
Photographing people can be intimidating. If you are shy, try practicing with street artists. (Leave them a tip afterward!) Or photograph people that are on buses, trams, cars, or trains.
You can also shoot from the hip. This means that the camera is at your hip and you aim and shoot blindly to go unnoticed. This requires a bit of practice, but autofocus can make things easier.
You can get more creative and photograph people in silhouette or out of focus.
Cities are full of reflective surfaces—puddles, fountains, windows, glass, and steel. Reflections are everywhere. You just need to find them.
It is not rare to have multiple reflections interacting together, creating interesting patterns. This is often the case with modern buildings and skyscrapers with plenty of windows.
I love shooting after a rainy day and trying to find puddles with interesting reflections. Water surfaces such as small ponds can also get you exciting shots.
I like to capture the city’s silhouette against the bright sky. This way, I can focus more on the shape of the skyline, rather than on the building details.
Sometimes the interplay between light and shadows is what makes an image interesting.
Don’t photograph only at eye level! This is a major cause of boring images, particularly in tourist spots. Low angles can make for an unusual composition.
The low angle in the image above, the tilt, and the line in the pavement add interest to an otherwise common image.
Below is the most iconic place in Copenhagen—the Nyhavn canal. This is the tourist spot of that city, because of the colorful houses, the channel, and the restaurants.
By tilting the camera, I was able to get a more dynamic and interesting composition.
Whether you are photographing in your city or you are visiting a new one, keep experimenting. Try to find new compositions even at touristy spots.
There are plenty of things you can try that I haven’t mentioned here. If you are n’t feeling confident, just take one classic shot of your subject. Then you’re free to move on to more creative ideas.
Keep an eye on shadows and patterns! Look straight down at the street from a high point of view rather than into the distance. Experiment with panning, intentional camera movements, and more.
And, above all, be safe and have fun.
